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The Heart of the
Goddess:
Art, Meditations and Mythology
by Hallie Iglehart
Austen
A
multicultural exhibit of imagery from
the Ice Age to the present, featuring
full-color and black and white photos
with text conveying the cultural and
mythical context, as well as the
inspirational style and power, of each
image. "A delightful book of
life-affirming legends, rituals and
images that helps us envision a more
balanced and creative world"--Riane
Eisler, author, The Chalice and the
Blade.
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THE
SACRED ART
The knowledge and direct
experience of the Great Goddess, once revered
throughout the world, has been lost, obscured
by patriarchal repression and distortion.
Different aspects of the original Great
Goddess have survived in various cultures and
deities. We must look to all of them in order
to find out who the Goddess really is. Images have an enormous
influence on us, as evidenced by the mass of
visual media and advertising in our culture.
In order to free our psyches, we must
carefully chose our images and the messages
they convey. Pictures speak to our hearts and
our guts, as well as to our minds.
In the beginning,
Eurynome, the Goddess Of All Things, danced upon
the waves. From the wind stirred up behind her
she made the serpent Ophion. Ecstatically she
danced, and Ophion curled around her . Not long
thereafter, she took theform of a dove and
laid the Universal Egg upon the waters. As she
instructed , Ophion curled seven times
around the egg, until it hatched and all the
things of the world- the stars and planets, the
mountains and rivers and all the living
creatures-came pouring out.
-Preclassical
Mediterranean Myth
The triumphantly female Bird-Headed Snake
Goddess comes to us from predynastic Egypt. Made
of terra cotta, she emphasizes her breasts and
buttocks with dignity and strength, reminding us
of the power and beauty of the female This
statue is sometimes considered a worshiper of
the Goddess, sometimes the Goddess herself. Yet
she is both, reflecting the ancient knowledge
that human and divine are one, just as she
integrates the earthly snake and celestial bird.
She is the Great Goddess, calling down blessings
on her worldly self. Ultimately, she is a
Goddess of Thanksgiving, celebrating life
incarnate.The bird and the Goddess have been
associated for millennia, from the time of the
Great Goddess of Willendorf to the Annunciation
of Mary .

In the very first times
both people and animals
lived on the earth,but there was no difference
between them. A person could become an animal,
and an animal could become a human being.
There were wolves, bears and foxes but as
soon as they turned into humans they were
all the same.They may have had different
habits, but all spoke the same tongue, lived
in the same kind Of house,and spoke
and hunted in the same way.
-Nalungiaquan Inuit Woman
Ixchel and the Rabbit
North America,C.800 C.E.
As
aspects of the Great Goddess, animals are equal
with humans, plants and minerals. The Goddess
comprises all forms of existence, each of which
is essential to the Great Whole. Revering
animals and other forms of life can help us to
re-establish the sacred balance of life in our
environment. Animals may also aid us in our
everyday lives, or in our dreams, meditations,
myths and fairytales. Some Native American
teachings say that, since they were created
before humans, animals are closer to the Source.
Thus, animals can act as allies, guides and
familiars in our search for wholeness.
In
the lands of the universe there is no place
Where She does not manifest Herself
Compassion wondrous as a great cloud,
Pouring spiritual rain like nectar
Quenching the flames of distress!
The Lotus Sutra
Guanyin (Kuan Yin) is the most
universally beloved of Chinese deities. As the
Bodhisattva of Compassion, she hears and answers
the cries of all beings. In popular conception,
Guanyin went through a long and interesting
transformation from male to female . In this
beautifully powerful, androgynous statue of
painted wood from early 12th Century C.E., she
is in the "royal ease" posture:
seated, but about to rise to help those in need.
In other images, she carries the pearl of
illumination or pours a stream of healing waters
from a vase, blessing her devotees with physical
and spiritual peace.Women in particular devote
themselves to Guanyin. Like Artemis, she is a
Virgin Goddess who protects women. Again like
Artemis, she is a deity of the wild places,
often appearing under a full moon, by ponds and
willow trees.
Here we have a
French woodcarving that is a tribute to those
who kept the teachings of the Great Mother alive
during the Christian era in Europe. She
continued to be central in people's psyches. In
the early days she was worshiped equal with
Christ. Later , an astonishing percentage of the
wealth, energy and artistic talent of the Middle
Ages was devoted to the construction, sometimes
over generations, of the cathedrals of Notre
Dame, "Our Lady".
At the same time unassimilated reverence for the
Goddess was threatened when church, state and
the rising male-dominated medical profession
allied themselves in attempts to eradicate the
overlapping populations of Goddess followers,
midwives, wisewomen and peasant revolutionaries.
Within a period of a few centuries,
an estimated nine million women, men and
children were executed as witches in a
suppression of matristic
consciousness that continues even today.
Yet
many kept the Goddess's tradition alive,
both inside and outside the Church. This piece
was probably made by someone who wished to
portray Mary literally as the Mother of God.
Closed, she is the traditional Virgin with
Child. However, she may also be seen as the
archetypal Mother, creatrix of life, holding the
sphere of the world in her hand. Opening her
reveals the truth: She contains God, Christ and
the rulers of the spiritual and temporal
spheres. To whom, then, are these pious
worshipers offering their prayers.
"Ritual/Hallie
Iglehart Austen",
Marcelina Martin, 1981
Order Online
WomanSpirit Meditation Tape
Hallie
Iglehart Austen
Music by Georgia Kelly
Sacred Sexuality
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All
images have embedded registered
Watermarks. The work in these galleries
is the property of the Museums who
reserve all rights associated with
them. The photographs may be
viewed on the internet only, and may not
be reproduced, projected, altered, or
used in whole or in part in any way
without written permission from
Owner. Copyrights are
enforced. Images traced daily. |
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