halliecover.gifThe Heart of the Goddess:
Art, Meditations and Mythology

by Hallie Iglehart Austen

A multicultural exhibit of imagery from the Ice Age to the present, featuring full-color and black and white photos with text conveying the cultural and mythical context, as well as the inspirational style and power, of each image. "A delightful book of life-affirming legends, rituals and images that helps us envision a more balanced and creative world"--Riane Eisler, author, The Chalice and the Blade.

THE SACRED ART

pele.gif(42715 bytes)       The knowledge and direct experience of the Great Goddess, once revered throughout the world, has been lost, obscured by patriarchal repression and distortion. Different aspects of the original Great Goddess have survived in various cultures and deities. We must look to all of them in order to find out who the Goddess really is. Images have an enormous influence on us, as evidenced by the mass of visual media and advertising in our culture. In order to free our psyches, we must carefully chose our images and the messages they convey. Pictures speak to our hearts and our guts, as well as to our minds.

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In the beginning, Eurynome, the Goddess Of All Things, danced upon the waves. From the wind stirred up behind her she made the serpent Ophion. Ecstatically she danced, and Ophion curled around her . Not long thereafter, she took theform  of a dove and laid the Universal Egg upon the waters. As she instructed , Ophion curled seven times  around the egg, until it hatched and all the things of the world- the stars and planets, the mountains and rivers and all the living creatures-came pouring out.

-Preclassical Mediterranean Myth



The triumphantly female Bird-Headed Snake Goddess comes to us from predynastic Egypt. Made of terra cotta, she emphasizes her breasts and buttocks with dignity and strength, reminding us of the power and beauty of the female This statue is sometimes considered a worshiper of the Goddess, sometimes the Goddess herself. Yet she is both, reflecting the ancient knowledge that human and divine are one, just as she integrates the earthly snake and celestial bird. She is the Great Goddess, calling down blessings on her worldly self. Ultimately, she is a Goddess of Thanksgiving, celebrating life incarnate.The bird and the Goddess have been associated for millennia, from the time of the Great Goddess of Willendorf to the Annunciation of Mary .

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In the very first times both people and animals
lived on the earth,but there was no difference
between them. A person could become an animal,

and an animal could become a human being.
There were wolves, bears and foxes but as
soon as they turned into humans they were
all the same.They may have had different
habits, but all spoke the same tongue, lived
in the same kind Of house,and spoke
and hunted in the same way.

                  -Nalungiaquan Inuit Woman

Ixchel and the Rabbit
North America,C.800 C.E.

As aspects of the Great Goddess, animals are equal with humans, plants and minerals. The Goddess comprises all forms of existence, each of which is essential to the Great Whole. Revering animals and other forms of life can help us to re-establish the sacred balance of life in our environment. Animals may also aid us in our everyday lives, or in our dreams, meditations, myths and fairytales. Some Native American teachings say that, since they were created before humans, animals are closer to the Source. Thus, animals can act as allies, guides and familiars in our search for wholeness.

quanyin.jpg (30665 bytes) In the lands of the universe there is no place
Where She does not manifest Herself
Compassion wondrous as a great cloud,
Pouring spiritual rain like nectar
Quenching the flames of distress!

                                          The Lotus Sutra

Guanyin (Kuan Yin) is the most universally beloved of Chinese deities. As the Bodhisattva of Compassion, she hears and answers the cries of all beings. In popular conception, Guanyin went through a long and interesting transformation from male to female . In this beautifully powerful, androgynous statue of painted wood from early 12th Century C.E., she is in the "royal ease" posture: seated, but about to rise to help those in need. In other images, she carries the pearl of illumination or pours a stream of healing waters from a vase, blessing her devotees with physical and spiritual peace.Women in particular devote themselves to Guanyin. Like Artemis, she is a Virgin Goddess who protects women. Again like Artemis, she is a deity of the wild places, often appearing under a full moon, by ponds and willow trees.

Here we have a French woodcarving that is a tribute to those who kept the teachings of the Great Mother alive during the Christian era in Europe. She continued to be central in people's psyches. In the early days she was worshiped equal with Christ. Later , an astonishing percentage of the wealth, energy and artistic talent of the Middle Ages was devoted to the construction, sometimes over generations, of the cathedrals of Notre Dame, "Our Lady".

At the same time unassimilated reverence for the Goddess was threatened when church, state and the rising male-dominated medical profession allied themselves in attempts to eradicate the overlapping populations of Goddess followers, midwives, wisewomen and peasant revolutionaries. Within  a  period of a few centuries, an estimated  nine million women, men and children were executed as witches in a suppression of   matristic consciousness that continues even today.

Yet many  kept the Goddess's tradition alive, both inside and outside the Church. This piece was probably made by someone who wished to portray Mary literally as the Mother of God. Closed, she is the traditional Virgin with Child. However, she may also be seen as the archetypal Mother, creatrix of life, holding the sphere of the world in her hand. Opening her reveals the truth: She contains God, Christ and the rulers of the spiritual and temporal spheres. To whom, then, are these pious worshipers offering their prayers.



                                     
    "Ritual/Hallie Iglehart Austen",
                                                         Marcelina Martin, 1981



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Hallie Iglehart Austen
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